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Canaletto
Piazza S.Marco verso la basilica,dall'angolo nord-oves (mk21)
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ID: 22769
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. Related Paintings of Canaletto :. | The Stonemason-s Yard | named Canaletto Venetie, the Bacino Tue S. Marco on Hemelvaartsdag | Grand Canal: Looking North-East toward the Rialto Bridge ffg | the Old Horse Guards and Banqueting Hall, from St James-s Park | The Grand Canal near Santa Maria della Carita fgh | Related Artists: Giovanni GiacomettiSwiss Painter, 1868-1933,was a Swiss painter. He was the father of the artists Alberto and Diego Giacometti and the architect Bruno Giacometti. Valeriano Dominguez Becquer BastidaSpanish , 1834-1870
Joost Cornelisz Droochsloot (1586, Utrecht (city) - May 14, 1666, Utrecht (city)), was a Dutch Golden Age painter.
According to Houbraken his village scenes (Boerekermisstuk) were as popular as flower pieces by Bartholomeus Assteyn.Houbraken thought he was born in Gorinchem or Dordrecht, and claimed he worked for a long time in Dordrecht. He felt his work was always according to a set pattern, where cake sellers were portrayed in front of village houses with figures in a festive setting called a "farmer's circus". It is unclear why Houbraken would have thought he was from Dordrecht, especially since Houbraken's data on painters from Dordrecht was generally quite accurate. Droochsloot and his son were highly respected citizens of Utrecht with a large workshop.
According to the RKD his monogram was "JCODS" and he became a member of the Utrecht Guild of Saint Luke in 1616. He later became deacon of the guild in 1623 and regent of the St. Jobs Gasthuis in 1638, deacon of the Dutch Reformed church, and in 1665 officer of the Utrecht schutterij. He was the father of the painter Cornelis Droochsloot (1630-1673) whose paintings are hard to distinguish from his own, and the teacher of Jacob Duck.
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